The accepted timeline of Twentieth Century experimental music is one dominated by White men; with female composers emerging only after the cultural revolutions of the ’50s and ’60s. And whilst this is no doubt a product of contemporary institutionalized sexism that simply didn’t afford women the same opportunities as Men; thought, as they were, better left to “light music” and whimsical chamber works or perceived … Continue reading Profile: Johanna Beyer – Enigmatic Modernist